20 & Confused.

chanel-and-pussy:

💞Chanel&Pussy💋

(Source: seekelsey, via seedy)

breakinq:

following back tons

Ever look back and realize how good you had it? Trying your hardest to do all the little things that’ll make the bigger picture again 💭

mightyhealthyquest:

IT’S ALWAYS TEA TIME!

(via blvckkksheep)

kimkanyekimye:

Kim & Kanye attend the opening night of Carole Bayer Sager’s New Works exhibition 9/18/14
breakinq:

following back tons
im-lower-than-atlantis:

X

laugh-addict:

my mom once told me that writing your feelings down or drawing them out is very therapeutic and relaxing 

image

(Source: dog360, via crystallized-teardrops)

fuckyeahsexanddrugs:

likeafieldmouse:

Hidden Mother

"Trying to get a baby or a fussy toddler to sit still for a photograph can feel like a herculean task. Luckily, it only takes a second to get the shot. In the nineteenth century, however, it was a different storyparticularly when it came to tintype portraits, which required a long exposure. 

Photographer Laura Larson’s series, Hidden Mother, presents a survey of nineteenth-century tintype portraits in which the mother of the child was included in the photograph, but obscured. 

In some instances, the mother would hold her child, with a cloth or props hiding her from the lens, or she would be painted over by the photographer after the image had been taken. In other examples, the mother is entirely absent from the frame, save for an arm, holding the child in place. 

The results are both funny and slightly disturbing. The mother appears as an uncanny presence, Larson writes in a statement. Often, she is swathed in fabric, like a ghost.”  

we were so creepy and fucking dumb

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